The xaxado how to dance dionysian from philosophy Nietzschean

The xaxado how to dance dionysian from philosophy Nietzschean

Authors

  • Rafael Valladão Grupo de Cultura Corporal da Universidade Castelo Branco, RJ
  • Mauricio Fidelis Grupo de Cultura Corporal da Universidade Castelo Branco, RJ

DOI:

https://doi.org/10.5016/1980-6574.2011v17n2p274

Keywords:

Xaxado. Nietzsche. Dance. Philosophy.

Abstract

Having as reference theoretical the works of German philosopher Friedrich Nietzsche, the aim of this article was to promote a discussion on how the model Apollonian and Dionysian and the superman relate with the xaxado, from the cangaço. In this perspective the article is divided into two parts: the first discusses issues related to the Nietzschean philosophy as unwethung, superman, Apollonian and Dionysian models. The second presents the allegory of xaxado as Dionysian dance, and how this may be a possibility for the emergence of the superman, that would create its own values, according to his will to power, their sense of power.

Author Biographies

Rafael Valladão, Grupo de Cultura Corporal da Universidade Castelo Branco, RJ

Mestrando em Educação pelo Programa de Pós-graduação em Educação (Proped) pela Universidade do Estado do Rio de Janeiro (UERJ). Pós-graduado em Elaboração e gestão de projetos sócio-esportivos pela Universidade Castelo Branco (UCB). Licenciado em Educação Física pela UCB. Currículo Lattes: http://lattes.cnpq.br/2076426934376603

Mauricio Fidelis, Grupo de Cultura Corporal da Universidade Castelo Branco, RJ

Pós-graduado em Elaboração e gestão de projetos sócio-esportivos pela Universidade Castelo Branco (UCB). Licenciado em Educação Física pela UCB Pesquisador do Grupo de Cultura Corporal da UCB. Currículo Lattes: http://lattes.cnpq.br/7643453091928766

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Published

2011-03-15

Issue

V. 17, N. 2 (2011)

Section

Original Articles

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